Showing posts with label Carina Press. Show all posts
Showing posts with label Carina Press. Show all posts

Thursday, October 23, 2014

Author Interview: AM Arthur and Jodi talk New Releases





We are very happy to welcome A.M. Arthur to the Smoocher’s Voice blog today. She has two new books available, Stand by You on Carina Press and Foundation of Trust on Samhain Publishing.

A.M. Arthur was born and raised in the same kind of small town that she likes to write about, a stone's throw from both beach resorts and generational farmland.  She's been creating stories in her head since she was a child and scribbling them down nearly as long, in a losing battle to make the fictional voices stop.  She credits an early fascination with male friendships (bromance hadn't been coined yet back then) and "The Young Riders" with her later discovery of and subsequent love affair with m/m romance stories.

An avid reader of het romance, her first foray into reading published m/m romance (slash fanfic doesn't count) is thanks to a Dear Author review of K.A. Mitchell's Chasing Smoke. After devouring K.A.'s existing backlist, she dove headfirst into other authors. While she prefers contemporary, she'll occasionally sample an historical or SFF m/m romance.

A.M. wrote her first m/m stories in the guise of Kish fanfic (the Kyle/Fish romance from cancelled soap opera "One Life to Live”). As her stories were met with more and more positive feedback, A.M. was inspired to try her hand at creating original m/m romance. And the rest is history.

When not exorcising the voices in her head, she toils away in a retail job that tests her patience and gives her lots of story fodder.  She can also be found in her kitchen, pretending she's an amateur chef and trying to not poison herself or others with her cuisine experiments. 

Connect with A.M.:

·       Blog
·       Twitter
·        Goodreads





Jodi: Thank you, A.M, for taking the time to answer some questions for our readers. Please tell us a little about yourself.

A.M.:         Thank you so much for having me! I’m not sure what else to tell you after that lovely intro. Long before I was a writer, books were a part of my life. I’ve had books in my hands for as far back as I can remember. When I was in elementary school and into junior high, I devoured books at such a rapid rate that we’d drive nearly thirty minutes to another town’s library that had unlimited check-outs. Getting lost in a story is one of my favorite things, and even though I do own a Nook for digital-only releases, there’s nothing quite like holding a paperback in my hands.

Jodi: There are three stories, so far, in the Belonging series. Each of these young men has to overcome trials and come to terms with his past in order to be happy and successful. What was your inspiration for this series?

A.M.:         I didn’t set out with any specific idea of how the series would shape up, or even how many books I’d write. It came out of wanting to write something New Adult and wanting to write a virgin hero. Once I figured out who Jaime and Alessandro were and what was up with Perch Creek, I began writing their book. The series started to take shape once they took their field trip to Pot O Gold. I knew once Ezra appeared that instead of Perch Creek, Pot O Gold was going to be the hub of this series.

Jodi: Alessandro in No Such Thing and Ezra in Maybe This Time are not looking for relationships or love. Both men seem a bit jaded regarding love and relationships. Yet when they meet Jaime and Donner, respectively, things change. As a writer, was it a challenge to portray the shifts in these relationships from simply sex to an emotional connection between the characters?

A.M.:         Yes and no. The characters made it pretty easy for me to sense when the shifts were happening, but the challenge is always showing those things in a subtle way, rather than shoving it up the reader’s nose. A lot of the time, shifts in relationships happen in the small things. Making coffee while your lover is still asleep and bringing them a mug in bed. Buying them a case of Coke when you see they’re about to run out without being asked. Resting a hand on their knee while watching a movie. It also happens when sex stops being about getting off and starts being about creating a connection with your lover — being with them because you can’t imagine being with anyone else.

Jodi: Although all three books can be read as standalones and focus on different couples, Ezra seems to be a steady link. Tell us a little about Ezra and the inspiration for his character.

A.M.:         It’s probably fair to say that Ezra inspired himself. I wouldn’t call him flamboyant, but he has style and confidence, and I’d never written a character quite like him before. There’s probably a little bit of Brian Kinney (Queer As Folk) in him, but Ezra’s reluctance to form attachments come from a place of deep hurt. He’s guarded, because he doesn’t see being vulnerable as having any lasting value, so when his new friendships with Jaime and Alessandro last longer than one night, it throws him off his game. I loved the idea of writing someone who is insanely loyal to the few people he chooses to love, but getting there takes a force of nature (or someone as steadfast and incredibly patient as Donner).

Jodi: In Stand by You, the third book, we learn more about Romy, who we met in the first book. Romy has had a difficult life, and he makes a lot of bad decisions. Why does he trust Ezra?

A.M.:         Part of the reason that he trusts Ezra is the same reason that Ezra instinctively trusts Romy—they’re both hurt souls who need a kind hand once in a while. Romy is also one of the few people with whom Ezra has hooked up more than once, and Romy attaches to people too easily. So another part of that trust is his long-distance crush on Ezra. Writing their friendship in Stand By You was a pleasure, because it really illustrated Ezra’s incredible loyalty to the people he chooses to love, as well as Romy’s need for genuine affection.

Jodi: Brendan and Romy are so different, yet they have similar needs. Tell us a bit about what makes Brendan tick.

A.M.:         Brendan is the kind of best friend that everyone wants to have—steadfast, loyal, ready to help a pal in need, and incredibly generous. When I first introduced him in Maybe This Time I didn’t know he would end up with Romy. All I knew was that he was a big part of Donner’s life, and that he’d helped Donner get through losing his first partner Jacob. And I’ll tell you a secret: up until the moment that Brendan meets Romy for the first time (you know that scene), Brendan wasn’t even gay/closeted. Once it clicked, I went back and through the magic of editing, fixed what made everything right. And then Brendan started telling me all about his sisters, their significant others, his nieces and nephews, his mother, his childhood. All Brendan ever wanted to do was make his family proud of him and to take care of them, so when his hopes of a pro football career fell apart, he decided to take all of those feelings towards men and hide them away. His family is everything to him, and he was scared to risk disappointing, or even losing them.

Jodi: Romy trusts Brendan, but he is wary of getting into a relationship with him, especially since he is not even sure Brendan is gay? What makes him take that leap of faith?

A.M.:         It’s Brendan himself that makes Romy take that leap. Brendan makes the first move, which makes it a little easier for Romy to put his trust in their relationship. He’s still wary at first, of course, because Brendan has to come out to both himself and to the other people in his life. But there is also something about Brendan that speaks to Romy on an instinctive level that he’s never had with someone before. As scared as he is to trust, Romy is just as scared to risk losing something potentially amazing.

Jodi: You tackle some difficult topics in this series: homophobia, rape, abuse. Was it a challenging writing about these topics?

A.M.:         Absolutely. Other authors have tackled these topics, and in many, many ways, so I knew I wasn’t saying anything new. But I trusted my characters, and I hope I was careful not to use those topics as titillation or as a way to create artificial drama. I wanted to show the effects and aftermath of abuse in a truthful way that didn’t feel voyeuristic, but that was still honest. No one reacts to rape or violence in the same way, and I think it’s important to show that abuse victims aren’t supposed to act any one way. Recovery is a very personal thing, and everyone goes through it differently.

Jodi: Do you have a message for your readers, something you want them to come away with after reading the books?

A.M.:         Treasure your healthy relationships and discard the toxic ones--it doesn’t matter if they are friends, relatives, or lovers.

Jodi: Foundation of Trust is the fifth book in the Cost of Repairs series. The books in this series are not as intricately related as the other series. What is the commonality in these books?

A.M.:         The biggest commonality is location. All five books are set in (or in Foundation’s case, mostly around) the fictional town of Stratton, Pennsylvania. All of the books also feature a wide supporting cast of characters that weave in and out of the series. Samuel Briggs and Rey King (the heroes of books one and four) and local diner owner Dixie Foskey have appeared in all five books. I love the small town aspect of these books, and how much that atmosphere affects everyday life and personal decisions.

Jodi: In Foundation of Trust, Owen Hart and David Weller are reunited after four years. These men were just starting their lives together, when Owen and his son abruptly walked out of David’s life. Did you know Owen was coming back when he left?

A.M.:         Yes. The scene in Charlie’s when Rey and David chat over beer (Acts of Faith) and David mentions Owen for the first time, I knew that this would be my “old lover returns to mend a broken heart” story. Except I had no idea why Owen left, or how on earth David would ever be able to forgive him. I mean, you haven’t even seen Owen on page, but from that scene you already kind of hate him, right? Redeeming him was tricky. Once I understood Owen’s back story, through, the novel started to come together.

Jodi: While reading the first book in the series, Cost of Repairs, I fell in love with Rey and     Sam. What was your inspiration for these men and their story?

A.M.:         Cost of Repairs was my first contemporary m/m novel, and I was terrified to tell their story. I was devouring m/m romance, especially series romance, and I wanted to do something set in a small town. And the best way to introduce an audience to a new location is to have someone new arrive in town, so all of the sudden I had this cop who’d lost his partner, and who was fixing up an old house while he grieved and learned to move on. And while he wasn’t technically in the closet, he hadn’t announced his sexuality to anyone. The town needed a watering hole of sorts, the kind of place where (wait for the cliché) everyone knows your name. Instead of a bar, though, I came up with a twenty-four hour diner named Dixie’s Cup, and naturally Samuel’s future love interest worked there. Except Rey was so stand-offish and had a funny name, and I had to know why, and once Rey’s back story fell into place, I was so eager to tell their story. And I was very excited to revisit their relationship again in book four, because I adore these two and one aspect of Rey’s life was still waiting to be resolved.

Jodi: Sam and Rey both face adversity and need to come to terms with their pasts in order to move into the future. What were some of the challenges you faced as a writer making these two characters both strong and vulnerable at the same time?

A.M.:         Making any character both strong and vulnerable is always a challenge. It’s an extra challenge when they’re the alpha male cop that is Samuel Briggs. He can be tough as nails on the outside, but you also have to be able to show hints of that soft, gooey center because that’s the part of him that holds tight to the man that he loves. When they first meet, neither man is looking for a relationship and for very different reasons. No strings sex sounds like a good plan to both of them. In some ways, Rey always had more to lose because his life was hectic enough without adding in a boyfriend.  But even though he tried to keep Sam at arm’s length and keep hammering away at life, Rey’s overall weariness with life gave away that he wasn’t as tough as he wanted to be. Vulnerability doesn’t have to be excessive to be noticeable

Jodi: What is your next project?

A.M.:         I have several things going on at the moment. I have two new series debuting in early 2015, and both are spinoffs to these two series. The Truth As He Knows It is still set mostly in Stratton, but will also feature a younger set of characters and take readers into Harrisburg more often, as well. Getting It Right is Tag’s story, and it will tell the stories of his group of friends. I’m also working on Ethaniel’s book (Foundation of Trust), as well as some new proposals. I am not bored, believe me.




Foundation of Trust
Cost of Repairs, Book 5

David Weller thought he had it all—a loving partner who gave him a ring, a steady job he didn’t hate, and so much hope for the future. But in the wake of a devastating diagnosis, everything he thought was solid and real lay in pieces at his feet.

Four years later, he’s still sifting through the rubble of his life. His catering partnership occupies his days, while his nights are filled with dangerous sexual hookups and very bad decisions. Then the last person he ever expected to see again walks back into his life.

Owen Hart’s single biggest regret is the way he was forced to leave David behind—no explanations, no chance to make it right. Until now. Finally free of eight years of lies, Owen’s back for the only man he’s ever loved.

An incendiary encounter in a club proves that time hasn’t weakened their physical connection, but David’s wounds run deeper than Owen’s deception. And if David can’t first forgive, Owen doesn’t have a second chance in hell.

Warning: This book contains an Australian transplant with a head full of secrets, a party planner with enough baggage to sink a battleship, and a surly teenager who just wants them both to get over themselves.

Buy Links

Stand By You
Belonging, Book 3

Three months after his rescue from an abusive boyfriend, twenty-two-year-old Romy Myers has landed his first legitimate job, bussing tables at his friend's new coffee shop. The job has brought him some stability after years of abuse have left him feeling damaged and broken. He's working hard on his panic and social anxiety, and those things are often tempered by the big, burly presence of Brendan Walker.

From the moment ex-football player Brendan helped rescue Romy from his ex's abuse, he's wanted to protect him. And he does, from a distance, with joking text messages, a new gym routine to toughen him up and a genuine friendship. So far it's been easy, but Brendan's feelings aren't just friendly anymore…

When an argument spirals out of control, a hot and heavy make-out session causes Romy's friendship with supposedly straight Brendan to reach a new level. The last thing Romy wants is to fall for another guy who could potentially shatter him, but Brendan also wakes up a part of him he thought had been destroyed by violence, his heart.


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Rafflecopter Prize: PDF copy of Foundation of Trust






Thursday, June 5, 2014

Review by Jodi: Stranger on the Shore by Josh Lanyon








Author: Josh Lanyon
Publisher: Carina Press

Rating: 4.5





Blurb: 

Twenty years ago, little Brian Arlington was kidnapped from his family's Long Island estate and was never seen again. The trail went cold, but investigative journalist Griff Hadley has always thought there was more to the story--much more. When the Arlington’s' patriarch invites him to stay at their estate to research his true crime book, Griff can't say no. It's the story of a lifetime.

But not everyone is happy about Griff's presence. Relatives and staff alike regard him coldly, including Pierce Mather, the Arlington’s' attractive lawyer, who is more than a little wary of Griff's motives.

When a stranger shows up claiming to be the long-lost Brian, Griff and Pierce are united in their suspicions. Startled to have found an ally in the buttoned-up lawyer, Griff soon realizes it's hard to keep a professional distance. Even in the midst of a groundbreaking investigation, even in the face of a shocking family secret.



Review:


“I thought of Gatsby's wonder when he first picked out the green light at the end of Daisy's dock. He had come a long way to this lawn and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him.”
― F. Scott Fitzgerald, The Great Gatsby


Griffin Hadley’s favorite novel is The Great Gatsby. Like the narrator in that novel, Nick Carraway, Hadley is a native of the Midwest, who is intrigued with New York and its wealthy residents. Hadley, a crime reporter and aspiring book writer, is a realist and a bit of a romantic.

Hadley is not just writing a book about the decades old mystery of what happened to four-year-old Brian Arlington, he is seeking truth. For some reason, Hadley is drawn to Brian’s story, the Arlington family and the mystery that surrounds the family and crime.

Josh Lanyon is a master of description and unravels a mysterious plot with descriptive panache. With the use of foreshadowing and imagery, Lanyon sets the stage for this story in an eerie fashion.

Griff like to think that, as a jaded crime reporter, he wasn’t easily spooked, but there was no question that the grounds of the Winden House were atmospheric at night. Maybe it was all those empty-eyed statues, human and animal, peering out from behind shrubberies, or the deep, deep shadows cast by gnarled trees and spidery, ornamental grasses; but there was no arguing the creepy factor was high. As the lights of the villa grew smaller behind him, he was conscious of how far the guest cottage was from the main house. And how isolated the estate was from its neighbors down the coast.

The sounds of the waves carried at night. Other sounds should have carried too – crickets? frogs? owls? – but all was quiet. There was only the dull steady thud of his shoes on the damp bricks. The scent of wet grass and smoldering leaves rose from the cooling earth as he entered the tunnel of rhododendron trees.

Lanyon has the uncanny ability to draw readers into a story by embedding the reader in the fictional worlds Lanyon creates, and Lanyon has done that again with Stranger on the Shore. Through the use of in-depth description and realistic dialogue, Lanyon develops these intriguing characters and plot. The hook for Stranger on the Shore happens in the first few paragraphs of the story as Hadley is introduced.

Griff sucked in a long breath and reached for the car door handle. He continued to sit staring at the white Italianate faced of the villa, graceful columns, punctiliously flat roofs, balconies with black wrought-iron railings, and all the while his heart was beating too fast in that mix of anticipation and anxiety. More anxiety than anticipation wish was just … weird.

The best way to deal with it was to get his ass out of the car and in front of those elegant, imposing double doors.

What was the worst that could happen?

Hadley is not just investigating another crime, he is seeking truth and perhaps some justice for a man Hadley thinks has been falsely incarcerated for the crime. Hadley seems unable to ignore the pull to the Arlington family no matter how hard he tries to play it off as just another crime story.  At the heart of the kidnapping mystery lies the uncertainty of what happened to Brian Arlington. While Brian’s kidnapper was arrested, the boy’s body was never found. Wealthy patriarch Jarrett Arlington is hopeful that Brian is still alive, and he hopes Hadley will help find him.

The Arlington estate on Long Island, New York is massive and has hidden passageways that are not included in the original police reports. There seem to be a lot of secrets hidden and buried on their land. The question is could one of the buried bodies be Brian’s.

A strange, shivery feeling slithered down Griff’s spine. Someone walking on your grave, his mother used to say. He glanced instinctively over his shoulder. It was twilight now, the first faint stars appearing in the sky, trees and shrubs and statuary throwing long, sinister shadows across the grass.

For the first time it occurred to him that if Brian’s kidnapping had been an inside job, that insider might still be alive. Alive and well and living on the estate.

The Arlington’s watch dog, so to speak, is Pierce Mather, the family attorney. Mather has his own hidden secrets about Brian’s disappearance, and the standoffish attorney takes his job protecting Jarrett very seriously. Before he even meets Hadley, Mather lets the writer know that this book should not be written. Griff is wary of Mather and his potential involvement in the book.

He had spoken to Pierce Mather once on the phone – for as long as it had taken Mather to shut him up and shoot him down. The words sue your ass had featured prominently. Griff had a gut feeling he and Mather might not see eye to eye on what constituted information with “no bearing.”

One of Lanyon’s talents is creating chemistry between characters, and the chemistry between Hadley and Mather is intriguing, dynamic and chaotic. The tension between the two men is palpable from the first time they lock eye, across a crowded room. They appear to be as opposite as Nick Carraway and Jay Gatsby. Despite Hadley’s wariness, he is very attracted to Mather.

Mather looked to be in his mid-thirties, slick and corporate in an expensive and impeccably tailored suit. Too good looking. The kind of guy with a morbidly obese stock portfolio, a lifetime gym membership and a country-club wife.

      Of course, looks can be deceiving and there is more to Mather than meets the eye.

      How could someone that groomed -- Griff wouldn’t have been surprised to learn that Piece got pedicures ort even body waxes – seem so … masculine? Not just masculine. Powerful. It wasn’t the expensive clothes or air of entitlement. It wasn’t even necessarily communicated by the way Pierce held himself or his body language, because at the moment he was hunched over the table trying not to drip au jus on his immaculate crotch. Despite the heavy aftershave and the buffed nails and the handmade shoes, Pierce seemed more intensely male than any guy Griff knew.

It was distracting.

Which was annoying.

Lanyon keeps readers on the edge of their seats as the clues to the mystery are slowly revealed. Just as Hadley seems to be putting the puzzle together, the pieces are shuffled and inverted. The danger builds with the mystery as does the intensity of the relationship between Mather and Hadley.

As usual, Josh Lanyon has created an intriguing plot and a quirky cast of characters. The supporting characters do their best to enhance the story and detract from the mystery at the same time. With these unusual characters, Lanyon has established a dysfunctional family dynamic that keeps the reader and characters off kilter. The dramatic soap-opera type elements are overshadowed by the realism of the scenario.

The climax of the story is not really surprising if the reader pays attention to the clues and foreshadowing elements that Lanyon employs. Stranger on the Shore is a great story. This crime story is anything but simple, and in usual Josh Lanyon fashion, the author keeps the reader wanting more.





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Friday, May 30, 2014

Author Post: Jodi Interviews Josh Lanyon

We are very happy to welcome Josh Lanyon to the Smoocher’s Voice blog today to talk about the newly published novel Stranger on the Shore (Carina Press) and the self-published novella Everything I Know.

 


A distinct voice in gay fiction, multi-award-winning author Josh Lanyon has been writing gay mystery, adventure and romance for over a decade. In addition to numerous short stories, novellas, and novels, Josh is the author of the critically acclaimed Adrien English series, including The Hell You Say, winner of the 2006 USA Book News awards for GLBT Fiction. Josh is an Eppie Award winner and a three-time Lambda Literary Award finalist.

 

Learn more about Josh at http://www.joshlanyon.com/.

 

 

Jodi:    Thank you for taking the time to chat with us. Your books are the first I began reading in the m/m romance genre. For readers who have never read your stories, where would you recommend they begin?

 

Josh:   Thank you very much for inviting me to the blog!

 

I think the standalones are a good place to start. I know fans usually rec the Adrien English books, but I think a series is a big investment for an unconvinced reader. So I always rec Fair Game to people who love mysteries or maybe one of the holiday stories like The Dickens With Love for readers who don’t care for mystery.

 

Jodi:    For the record, I would recommend all of those books J. Many of your books are mysteries with a touch of romance thrown in. What inspires you to write in this genre?

 

Josh:   Well, my first love remains mystery. That’s where I cut my writing teeth, so to speak. Romance generally doesn’t have enough plot for me, which is why my non-mystery work is usually short format -- stories or novellas. Without murder there just isn’t enough to hold my interest! As far as what I like about mystery… I like everything from the clean structure to the inevitable ethical and moral questions that will arise for the protagonists. I like the emotional high stakes. Plus action and danger scenes are always fun to write.

 

Jodi:    Stranger on the Shore is wonderful story. What was the inspiration for this book? Is it based on an actual news event?

 

Josh:   It’s not based on any one single news event, but it was heavily influenced by my researching a number of real life news stories. Everything from the tragic Lindbergh kidnapping to the actual story that the documentary Imposter is based on. The actual inspiration probably goes back to my love of classic mystery. There are some wonderful classic mystery stories revolving around the Missing Heir trope, and I sort of wanted to offer my own spin.

 

 

 

Jodi:    Are these characters completely fictional or are they based on real people?

 

Josh:   The characters are completely fictional. That said, I do borrow heavily from real life, including history. Everyone I’ve ever met, observed, or even read about, ultimately goes head first into that creative well to be drawn upon as required. 

 

Jodi:    Griffin Hadley and Pierce Mather butt heads from even before they meet. Despite being so different, they actually have a lot in common. Was that something you planned, or did the characters unfold for you as you began writing?

 

Josh:   I usually know what the central conflict(s) will be for my main characters before I ever start writing. A lot of the conflict will be based on personality types. Not entirely, but a lot of why we clash with people simply has to do with who we are. And that’s also true of why we become friends -- or fall in love -- with the people we do.

 

I always make sure that my character pairings have both believable conflicts and common ground. That makes it easy for the reader to understand the emotional dynamics because it’s completely realistic. That IS how relationships work, both good and bad ones. 

 

Jodi:    Why did you choose The Great Gatsby as Griffin’s inspiration?

 

Josh:   There’s always a certain amount of synchronicity in the creative process. Usually whatever I’m reading or thinking about at the time works its way into whatever the current story is. But then a lot of what I’m reading and thinking about at any given moment has to do with the research I’m undertaking for the current project. So in this case, I had set a story on Long Island because I find the history of the Gold Coast fascinating, and the film, The Great Gatsby had just come out, which seemed serendipitous. I started reading up again on Hemingway and the Lost Generation and Fitzgerald. Fitzgerald’s conflicted feelings about the rich seemed to mirror Griff’s mixed feelings, so it really just took off from there.

 

It’s actually difficult trying to track it step-by-step because it all just sort of falls into place while you’re writing. 

 

Jodi:    Like many of your characters, Con Myers and Wes Callahan bump heads in rather dramatic fashion at the beginning of Everything I Know. It seems that Callahan has no idea what he has actually said or done that causes the chaos that ensues in Con’s life. What is Callahan’s motivation for seeking out Myers after their initial run in at the store?

 

Josh:   What I think is interesting about this story is that Wes does have certain biases. We see it from the start. He is emotionally off-balance, and he certainly doesn’t intend his words to be taken out of context, but there is a bias against male preschool and kindergarten teachers, and Wes’s unthinking words do reflect that cultural leaning. As do Bea and Andy’s interpretation of what he means.

 

And we continue to see Wes’s biases throughout the story. But in Wes’s favor, he recognizes his own mistakes and tries to fix them. 

 

Granted, it’s complicated because Wes is also very attracted to Connor. Initially he doesn’t think of Connor as being his type. In fact, it is probably being to blame for Connor’s predicament that really drives Wes to pursue a relationship with him.

 

Jodi    :      What was your inspiration for this novella?

 

Josh:   I taught for a number of years, so it was inevitable I would eventually begin to tap into some of those story possibilities.

 

Jodi:    These books are written in third person point of view. Does writing in third person point of view provide more opportunities to explore each character’s personality than it would if the books were written in first person?

 

Josh:   Probably not. I always write from a deep POV, whether it’s first or third person. And I usually don’t switch back and forth between the main characters. I’ll generally make the decision on first versus third POV based on how much info I want to share with the reader, how crucial the main character’s “voice” is, and whether narration duty will be shared by a second character.

 

I know a percentage of readers don’t enjoy first person, so I typically opt for first POV when I know it will make a better -- usually funnier -- story.

 

Jodi:    Do you prefer writing short stories, novellas or novels? Which format allows you the most creativity with the characters?

Josh:   They all have their pleasures and pains. It’s unlikely that I would ever write a novel-length contemporary romance because I find those boring to read. I need more plot. So when I’m in the mood to write romance, it’s always going to be a story about a few days or a few hours in someone’s life -- which requires short form.

 

Jodi:    You have penned quite a few series: A Shot in the Dark, I Spy, Adrien English, Homes & Moriarity and, one of my favorites, Dangerous Ground. Do you prefer writing standalone books or series books?

 

Josh:   More and more I prefer standalone. That said, I’m very fond of the existing series I have -- those books were created with series in mind, so the intention was to explore the characters and their lives a little at a time over a long period.

 

Jodi:    Do you have more series stories planned?

 

Josh:   No. I do intend to wind up the series story arcs I’ve started, but I don’t plan on beginning any new ones. At least not in the immediate future. There might be a few sequels though.

 

Jodi:    When can we expect the next Homes & Moriarity and Dangerous Ground books?

 

Josh:   The next H&M, The Boy With the Painful Tattoo will be out late summer/early fall. The next Dangerous Ground book, Blind Spot, isn’t planned until sometime in 2015. That one will probably be a full-length novel and more of a traditional mystery.

 

 

Jodi:    Homophobia makes its presence known in many of the books. Why have you chosen to make this issue a constant in the series?

 

Josh:   With the exception of the AE books, I don’t know that it’s really much of a focus in my work. My characters are gay, so it’s realistic that they are going to encounter some prejudice from other characters in certain situations. Just as writing about women would require female characters bumping into sexism and stereotypes. Or disabled characters confronting their share of fear and bias. Or older characters having to deal with ageism and disrespect in a world that doesn’t value getting older. Basically I try to write realistically about humans in a recognizable setting, and gay humans are going to face a certain amount of discrimination and even hatred.




 






Stranger on the Shore, published by Carina Press, is available at the following locations:



The Blurb
Twenty years ago, little Brian Arlington was kidnapped from his family's Long Island estate and was never seen again. The trail went cold, but investigative journalist Griff Hadley has always thought there was more to the story--much more. When the Arlingtons' patriarch invites him to stay at their estate to research his true crime book, Griff can't say no. It's the story of a lifetime.
But not everyone is happy about Griff's presence. Relatives and staff alike regard him coldly, including Pierce Mather, the Arlingtons' attractive lawyer, who is more than a little wary of Griff's motives.
When a stranger shows up claiming to be the long-lost Brian, Griff and Pierce are united in their suspicions. Startled to have found an ally in the buttoned-up lawyer, Griff soon realizes it's hard to keep a professional distance. Even in the midst of a groundbreaking investigation, even in the face of a shocking family secret.





Everything I Know, published by JustJoshin Publishing, Inc.

The Blurb:
Connor loves teaching. He loves working with kids, he loves feeling like he ís making a difference. And the kids -- and parents -- seem to love him. Until the afternoon he makes a small error in judgment, and an angry father is thoughtless comments start the kind of rumor that destroys careers and lives.

Now everything Connor thought he knew about himself and his world is in doubt. But sometimes help comes from the most unexpected direction.


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