Showing posts with label J.S. Frankel. Show all posts
Showing posts with label J.S. Frankel. Show all posts

Wednesday, November 5, 2014

Author Interview: JS Frankel talks up Lindsay, Jo and the Tree of Forever (f/f ya)




We are very happy to welcome J.S. Frankel to the Smoocher’s Voice blog today. Frankel’s latest novel Lindsay, Jo and the Tree of Forever is available at Amazon. This is the sequel to Lindsay Versus the Marauders. We interviewed J.S. back in July when the first Lindsay and Jo book was released, and we are honored to have him back on the blog.



J.S. Frankel was born in Toronto, Canada, many moons ago and managed to scrape through high school and university, earning a BA in English Literature and leaving no book unopened during his time at the University of Toronto. Shortly after graduation, he moved to Japan in order to teach English to the hapless residents of whichever city he happened to be living at the time.

In 1997, he married the charming Akiko Koike and their union produced two rather interesting children. Frankel and his family make their home in Osaka where he teaches during the day and attempts to write YA fiction at night.



Jodi: Welcome back to the Smoocher’s Voice blog, J.S. Thank you, J.S., for taking the time to answer some questions for our readers. Lindsay, Jo and the Tree of Forever, is the second book in the Lindsay/Jo trilogy. In this second book, which picks up where the first one stopped, the main characters are more developed and new characters are introduced. It seems Lindsay is having a bit of a challenge accepting the fact that Jo is convinced they are life mates. I have to ask, has it been a fun experience for you to develop these two young women?

J.S:   First off, thanks for having me back! I really enjoyed the interview the first time around and am grateful this time as well.

As for the novels, it has been a great experience developing the relationship between Lindsay and Jo. We form relationships in life, and the ones we love, we tend to grow with. Sometimes not, of course, but in this case, I wanted to explore the nature of that growth with Lindsay and Jo, and I’m really happy with their development. They’re really made for each other and it is fun to see how they interact.

Jodi: In Lindsay, Jo and the Tree of Forever, the main characters on vacation when we join them and exploring their new-found romantic relationship. However, relaxing is not in the cards as Jo is called back to her home to help with an emergency. Why does Jo drop everything to go back to her universe when the people on her planet have treated her so badly?

J.S.:  I think she wants that sense of identity. And this relates very closely with how the LGBTQ crowd is treated on Earth. They’re people, they want to be part of the larger community, but the acceptance in many cases simply isn’t there. And I wanted that to be part of the second novel. Not to overstate it, but definitely to make people aware of that lack of acceptance. With all that’s going on in the world right now, we’re still worrying about orientation and that’s just sad. It shouldn’t have to come to that…but often, it does.

Jodi: Jo is asked to come home because a plague on her universe causing its inhabitants to age rapidly. This plague is not isolated to Jo’s world though. Tell us about your inspiration for the plague.

J.S.:  I looked around at the various kinds of diseases we have now that are resistant to antibiotics and conventional treatment and took it to a sci-fi level of what would happen if… I always think “what if” and see what happens.

Jodi: Jo and Lindsay are just developing their romantic relationship and friendship. The concept of trust is brought up in both books. Why did you decide to separate Jo and Lindsay for much of the action in the book?

J.S.:  In the first novel, they were together much of the time. In the second novel, I wanted to see exactly what a person would do, what lengths they’d go to, in order to save the one they love. In Lindsay’s case, she’s on her own, has to develop more as a character, grow in strength, and we see that she literally goes to the ends of the universe in order to save the person who means the most to her.

Jodi: There is a lot of action in this book and some new characters. The addition of Xeefa provides an interesting twist. Why did you choose to make this character an ex-girlfriend for Jo?

J.S.:  Introducing Xeefa was just a way of exploring the trust issue between Lindsay and Jo. Of course they love each other, but in real life, sometimes another person comes along to interrupt the dynamics and when that happens, well, anything can happen. Lindsay reacts the way anyone would: with jealousy and mistrust at first, but the love she feels for Jo is so strong, really, that nothing is able to keep them apart.

Jodi: There are some adult themes in this book. Although there is an allusion to sex, those references in the book are minimal. However there is quite a bit of violence. Was it a challenge incorporating the romance, violence and action in the novel?

J.S.:  I’m always worried about incorporating sex—even the allusion of it—into a novel. It’s a natural thing, but if overdone or written badly, it can come off as being pornographic, and I did NOT want that for this kind of novel. I don’t really care for writing even chaste sex scenes. This is a YA novel, after all.

However, violence I have no trouble in depicting. That’s often part of action novels, and I wanted to show it as it truly is: nasty, brutal, and visceral. People don’t die romantically; they get shot, bleed, writhe in pain and agony, and suffer. It’s necessary to show some of that in order to make it more realistic.

Jodi: In addition to the violence and terror, there is some humor, mainly in the dialogue. Was it a challenge incorporating the humor into such a serious plot line? Did you feel the humor was a necessary stress reliever?

J.S.:  Humor offsets the drama, and I like a little snark in my writing. If it’s just a drama, it can become quite leaden, but if the dialogue crackles then it can help to move the action along so much better.

Jodi: In our last interview, you mentioned that there are a lot of gender stereotypes in science fiction. You do a good job breaking down barriers in this book, especially with strong female characters and non-human characters. Is it a challenge to create non-human characters, such as Bool?

J.S.:  It was fun, actually. Bool is a humorous, although serious, counterpoint to the Lindsay/Jo combo. He’s really their anchor in a way, and provides both comic relief as well as dramatic intensity. And I enjoy creating new types of characters. Who says aliens have to be this or that way? I wanted to make him relatable to readers and I think I did just that.
As for breaking down gender stereotypes, if I can accomplish that, then that’s a good thing. Who says women have to be the ‘save-me-strong-hero’ type? I wanted to write about women who are strong, capable, and intelligent. There’s no shortage of strong and capable and intelligent women in real life, so why not do that in a novel?

Jodi: Although there is a lot of action in this book, the plot is definitely character driven. Are your characters completely fleshed out before you decide on the action or do you develop plot and characters at the same time?

J.S.:  Good question. When I write the first draft of anything, the characters are somewhat incomplete. Along the way, I add the elements that make them truly three-dimensional (or try my best to) and also add in plot points, twists and what have you. Nothing is ever perfect the first time around, so I do my best to bring these people to life as well as having a good story.

Jodi: Let’s talk about Rulle, the villain in this novel. Rulle, a marauder, is Turkel’s brother. He is a powerfully evil character. Tell us about his motivation and how you developed his character.

J.S.:  Vengeance and revenge are very powerful motivating forces. When Lindsay and Jo first encounter him, he has no idea who killed his brother. He wants revenge in the worst way, and he’ll do anything to get it. At the same time, he’s a capitalist although a very perverted one, and he’s also all about the money. Combine those two, and you have a very complex although totally rotten character. And make no mistake, Rulle IS rotten to the core!

Jodi: Are there more marauder siblings that we will encounter in the next book?

J.S.:  I’m not telling. You’ll have to wait!

Jodi: It seems the evil characters in this book are inherently evil. What drives these characters to commit such heinous acts?

J.S.:  Some people or aliens are just that way. Hard times, death, economic sanctions, etc. can force a person to do what they do. Toss in money—that’s a very powerful motivating force. When big bucks are involved, sometimes peoples’ morals go out the window.

Jodi: This novel does end with some ominous foreshadowing. Is the final novel in the Lindsay/Jo trilogy, Lindsay, Jo and the Well of Nevermore, completed?

J.S.:  Yes, it is, and it will undergo editing when my editor, Patty Schramm, has time. She’s very busy with her own work, but I love working with her and she knows what I want to do and say in my novels. She brings out the best in my writing and I’m grateful for her help.
Jodi: I am looking forward to the final chapter in this story. Can you give us a tease for the next book?

J.S.:  Mmm…let’s just say that evil never truly dies. That’s all I’ll say for now. J







Lindsay, Jo and the Tree of Forever

In this sequel to Lindsay Versus the Marauders, Lindsay Fleming returns to her humdrum life on Earth, still reeling from falling in love with Jo, a young woman who hails from the distant planet of Carinna. 

Lindsay's life does not stay idle for too long, as Jo returns bearing bad tidings. It seems a madman has loosed a plague on her universe causing its inhabitants to age rapidly. Conventional science has failed, but there are compelling tales of the magical healing properties of the Tree of Ayeni. 

Skeptical of this tree's powers, but willing to fight for her love, Lindsay sets off to save Jo's planet. Things are never as they seem, and as time starts to run out, everything becomes a matter of trust. Lindsay has to put her faith in two strangers, one of which is a rival for her girlfriend's affection. Can she save both this planet and her deep affection for Jo? 

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Lindsay versus the Marauders

Shy Lindsay Fleming has just summoned up all her courage and come out. All she's ever wanted is to be accepted for herself, but though her best friend, Myra, is okay with her sexual orientation, many of her high school friends are not. Her parents don't understand at all, leaving Lindsay angry and confused. During the Christmas season, Lindsay attends a meeting for the "newly out," but she leaves when that turns into a disaster. On her way home, she saves a young woman from being mugged - by four red-skinned aliens!


The woman, Jonephra ("Call me Jo") is a resident of the planet Carinna, located in another dimension. The red-skinned men, known as "Marauders," are a mean, ruthless bunch who stole jewels that power Jo's home world, and she's on a mission to get them back. Turkel leads the band of heartless pirates, and they'll kill anyone who gets in the way of their looting and pillaging. Lindsay is reluctant to get involved, but she agrees to help Jo, who she is attracted to. Jo is tall and self-confident, and Lindsay thinks Jo might like her, but she feels so shy and awkward. Will she be able to shed her shyness and gain enough confidence to win Jo's heart? Even more risky: will Lindsay survive the dangerous Marauders, find the jewels and return them before Jo's planet runs out of reserve power?

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Wednesday, July 9, 2014

Author Interview: Jodi talks with YA Author J.S. Frankel

We are very happy to welcome J.S. Frankel to the Smoocher’s Voice blog today. Frankel’s latest novel Lindsay and the Marauders is available at Amazon.

J.S. Frankel was born in Toronto, Canada, many moons ago and managed to scrape through high school and university, earning a BA in English Literature and leaving no book unopened during his time at the University of Toronto. Shortly after graduation, he moved to Japan in order to teach English to the hapless residents of whichever city he happened to be living at the time.

In 1997, he married the charming Akiko Koike and their union produced two rather interesting children. Frankel and his family make their home in Osaka where he teaches during the day and attempts to write YA fiction at night.









Jodi:   Thank you, J.S., for taking the time to answer some questions for our readers. Tell us a little about yourself.

J.S.:    The brief bio above says it all. I was born in Toronto, Canada, but moved to Japan at the age of twenty-six. Japan intrigued me back then and it still does. I’ve been living here half my life (!) and the journey never ends. So, too, with my writing, the journey never ends and I hope it never will.

Jodi:   Why did you choose to write in the young adult genre?

J.S:     It wasn’t a conscious decision. It was just something inside me that said “tell a story”. I know it’s supposed to be ‘the’ market today and I’ve looked at the demographics, but really, it’s just the kid in me who is, in a way, retracing his youth through his novels.

Jodi:   So far you have four published young adult books? Do all of the books have an element of science fiction and romance?

J.S.:    Yes, they do, although having romance isn’t necessary. I’ve always loved science fiction, ever since I was young when writers like Ray Bradbury and Frederik Pohl captured my imagination with the stories they wrote. I like to think about the possibilities of life among the cosmos and my stories are representative of the what-if element.

Jodi:   Do you find creating the science fiction elements difficult? What type of research is necessary to write in this genre?

J.S.:    Yes and no. The biggest problem, if you want to call it that, is consistency. If you world-build, you have to be consistent with everything that goes on there. The rules must apply to everyone. Bending the rules of physics is fine as long as you give some kind of explanation and that consistency is observed. This is what older, more experienced writers have said and I took that advice to heart.

Jodi:   You have written both male/male and female/female romance into your books. Why have you chosen to explore LGTBQ themes?

J.S.:    Again, it wasn’t a conscious decision. I’m interested in writing good character-driven stories. If the MC(s) happen to be gay, that’s fine, as long as they’re well-rounded, realistic characters. I also think that in the LGBTQ area, there could be more S/F novels although there are some fine ones out there. The Left Hand of Darkness by Ursula Le Guin,  the Warchild trilogy by Karin Lowachee, are just two examples, and they’re both solid entries in the S/F canon. I enjoyed reading them along with other S/F novels. To me, the orientation of the main characters is really incidental although it’s a positive portrayal and that, I feel, is a good thing for the LGBTQ community. Too many stereotypes abound and these stories are an excellent way of countering those stereotypes.

Jodi:   Lindsay and the Marauders is the first book in a series. Is this the first series you have written? Why did you choose to explore a series with these characters?

J.S.:    Yes, this is the first series I’ve written. I wanted to take the classic ‘fish out of water’ scenario and see what I could do with it. At first, LVTM was going to be a one-off, but I liked the characters and the situations so much, I continued on.


Jodi:   Why did you choose to have females as the main characters?

J.S.:    I like strong female characters. In fact, I like strong characters, period. Who wants to be wimpy? Every character I’ve ever written—even the bad guys—regardless of orientation, is strong. They’re more appealing to me and to the readers. (I hope).


Jodi:   Tell us a little about your inspiration for Lindsay and the Marauders?

J.S.:    Believe it or not, I got the idea from the movie Paul, the one with Simon Pegg and Nick Frost. In it, they were discussing their favorite author and the books he wrote…’Jenny Starpepper and the Great Brass Hen’ for example, and while the title is ridiculous—and funny—it sparked an idea, so I took it from there.


Jodi:   What was your inspiration for the marauders?

J.S.:    Pirates are never nice. They’ve been done in a lot of genres over the centuries; they have a bad rep, and they’re cheats, liars, and all-around scum. However, I didn’t want to use the word ‘pirates’ as it sounded too juvenile, so I thought of the word ‘marauders’. It’s old-fashioned, but it’s still being used, and to me, the title Lindsay Versus the Marauders just sounded right. You have ‘versus’ in a title and you just know there’s going to be conflict!

Jodi:   Are the Council Members symbolic?

J.S.:    In a sense, they represent what society thinks of the LGBTQ side of things although I didn’t want to make them too much that way. Their position regarding Jo and her relationship with Lindsay is made quite clear without going overboard. When you do that, if you preach (no matter what the subject matter is) then you run the risk of turning readers off which is something I don’t want to do.


Jodi:   How did you come up with the idea for all of the evil entities in the book?

J.S.:    Imagination, imagination, imagination. It took me a long time to get the scum right. If you’re going to do scum, do them well and make them memorable. If you just have a bad guy (or girl) who says “I’m gonna hurt you,” it doesn’t convey menace. But if you have someone erudite and well-mannered—although still a killer and all-around baddie—then his or her demise is far more satisfying.


Jodi:   Both Lindsay and Jonephra have struggles with coming out despite the fact that they live in different worlds. What is the message you are imparting with that concept?

J.S.:    Simply put, no matter where you live, you’ll face discrimination. As we can see in society today, discrimination is in every country regardless of race, religion or creed, and it cuts across all social, ethnic, and economic barriers.


Jodi:   Both Lindsay and Jonephra are independent young women who are on the cusp of adulthood. Why did you choose to make them older when the target audience for young adult books is usually middle to high school students?

J.S.:    I wanted to show the first pangs of love along with the idea of coming out and doing something about it. As well, when you’re dealing with romance, there is the element of physical sex (although it doesn’t have to come to that) and depicting underage participants, while it does happen, of course, is considered a no-no. Also, I just wanted to write about slightly more mature characters.


Jodi:   Tell us a little about the planet Carinna and your inspiration for the conditions on the planet?

J.S.:    If you want inspiration, look no further than our own ozone depletion and the rise of antibiotic-resistant strains of some infections/diseases. The air pollution problem in China is a life-threatening one in some cases, and there are other examples of how we’re ruining our environment. I just took it to a sci-fi conclusion. I still have hopes for Earth, though.


Jodi:   What was your inspiration for Twisted?

J.S.:    Jenna Talackova, the transgendered Ms. Universe contestant, was my main inspiration. When I saw a picture of her for the first time, I had no idea she was transgendered. I just thought she was totally gorgeous and I still do.  But I wondered what it would be like to be in a different body. Gender dysphoria is a very real psychological problem, one that is largely misunderstood by the general public. I wanted to address that in Twisted.

I’d also add that gender switching is nothing new. It goes way back to ancient Egyptian times and beyond. I wanted to do a ‘twist’ (sorry) on the traditional way of writing that particular kind of novel.


Jodi:   In Twisted, you explore the topic of transgender as the main male character is transformed into the body of a female warrior once he is inside the video game. Why did you choose to explore this topic in the book?

J.S.:    As I said above, gender switching is nothing new. I wanted to see how a male heteronormative character would react being in a female form without resorting to stereotypes.


Jodi:   What type of research did you need to do for Twisted and Lindsay and the Marauders?

J.S.:    For Twisted, a lot of it takes place in Medieval England, circa 1430. I needed to do research on how the people dressed, what they ate, the hairstyles…everything. Here, I relied on my sister’s knowledge—she’s been a member of SCA (Society for Creative Anachronism) for years and helped me quite a bit with some of the terminology—as well as using my Google-fu to help me find out what other things I needed to know.

With LVTM, imagination came to my rescue. I just ran the idea of a lesbian protagonist through the proper channels. I did not want to do a stereotype of any character. That simply doesn’t make for a good story.


Jodi:   There is some violence in both books, although the violence is more prominent in Lindsay and the Marauders. Did you feel those battle scenes were important to the plot and character development?

J.S.:    Yes, I did. Trial by fire is a common theme in novels. I wanted Lindsay to grow as a person, go from a shy and sort of nerdy young lady to someone who could deal with the physical difficulties of life as well as the psychological ones. And the old adage of “what doesn’t kill you makes you stronger” does hold sway in this situation.

Also, when you’re dealing with cutthroats, they’re not going to play fair or be nice. To quote a line from an old Star Trek show, you have to match their evil. And I did.


Jodi:   What is your next project?

J.S.:    Right now, I’ve just finished the final novel in the Lindsay/Jo trilogy (Lindsay, Jo and the Well of Nevermore) and I hope it will be accepted. I’m also working on a YA novel featuring a transgendered character and while it’s almost done, I want to go over it and make it right. The tentative title is Picture (Im) perfect. I’ll see how that goes.

I’d like to add a sincere “Thank You” for allowing me this interview. It was a great experience writing the Lindsay/Jo series, and I hope it will be well received by not only the LGBTQ community, but by the entire book-loving community as well.

















Lindsay versus the Marauders
Shy Lindsay Fleming has just summoned up all her courage and come out. All she's ever wanted is to be accepted for herself, but though her best friend, Myra, is okay with her sexual orientation, many of her high school friends are not. Her parents don't understand at all, leaving Lindsay angry and confused. During the Christmas season, Lindsay attends a meeting for the "newly out," but she leaves when that turns into a disaster. On her way home, she saves a young woman from being mugged - by four red-skinned aliens!

The woman, Jonephra ("Call me Jo") is a resident of the planet Carinna, located in another dimension. The red-skinned men, known as "Marauders," are a mean, ruthless bunch who stole jewels that power Jo's home world, and she's on a mission to get them back. Turkel leads the band of heartless pirates, and they'll kill anyone who gets in the way of their looting and pillaging. Lindsay is reluctant to get involved, but she agrees to help Jo, who she is attracted to. Jo is tall and self-confident, and Lindsay thinks Jo might like her, but she feels so shy and awkward. Will she be able to shed her shyness and gain enough confidence to win Jo's heart? Even more risky: will Lindsay survive the dangerous Marauders, find the jewels and return them before Jo's planet runs out of reserve power?



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Tuesday, July 8, 2014

Review by Jodi: Lindsay Versus the Marauders by J.S. Frankel (YA F/F)






Author: J.S. Frankel
Rating: 4.5




Blurb:

Shy Lindsay Fleming has just summoned up all her courage and come out. All she's ever wanted is to be accepted for herself, but though her best friend, Myra, is okay with her sexual orientation, many of her high school friends are not. Her parents don't understand at all, leaving Lindsay angry and confused. During the Christmas season, Lindsay attends a meeting for the "newly out," but she leaves when that turns into a disaster. On her way home, she saves a young woman from being mugged - by four red-skinned aliens!

The woman, Jonephra ("Call me Jo") is a resident of the planet Carinna, located in another dimension. The red-skinned men, known as "Marauders," are a mean, ruthless bunch who stole jewels that power Jo's home world, and she's on a mission to get them back. Turkel leads the band of heartless pirates, and they'll kill anyone who gets in the way of their looting and pillaging. Lindsay is reluctant to get involved, but she agrees to help Jo, who she is attracted to. Jo is tall and self-confident, and Lindsay thinks Jo might like her, but she feels so shy and awkward. Will she be able to shed her shyness and gain enough confidence to win Jo's heart? Even more risky: will Lindsay survive the dangerous Marauders, find the jewels and return them before Jo's planet runs out of reserve power?



Review:

“There is no need to thank me. On our world, we have a saying that to know peace is to know one's own self. I cannot and will not judge you for your feelings. I do not have that power or right. But your mind tells me you are afraid of the difference between you and others of your kind. Being afraid of the unknown is to be expected, but you must fight your own innermost fears first and foremost.” … “If I can offer one piece of advice, it is to say that among all creatures in the universe, there is always one for another. That is the way of all beings.”
-       Gaman


Lindsay Versus the Marauders is an action-packed, young adult story filled with adventure, danger and a bit of romance.  J.S. Frankel has done a great job developing this story, which features two strong female protagonists: Lindsay and Jo. Lindsay and Jo are sympathetic and intriguing characters. Frankel has created strong, yet vulnerable women who are placed in extreme situations.

Lindsay has been having a tough time. The 18-year-old has recently told her friends at school and her parents that she is a lesbian. Most of her friends, except for her best friend have abandoned her. Her fellow athletes tried to kick her off the swim team, and her mother has recently died. Lindsay is searching for love and acceptance.

When readers meet Lindsay, she is attending a small “coming out” party and is molested by a woman.  As she runs away from the party, she finds herself in the middle of a street fight in an alley. This is not a typical fight. The red-skinned, humongous man-like monsters are attacking a young woman who is brandishing a steel pipe.

You are not with this one, are you?" one of them asked in a deep, rasping voice. He pointed to the woman who held the pipe up in a defensive pose.

"Uh, I was just going home," Lindsay said. She hoped this was some kind of a dream. Her evening had gone from bad to worse. This whole scenario was like a nightmare come true and, of course, not a policeman in sight. Time to call Captain Obvious--of course there wouldn't be a cop within walking distance.

"She's not with me," the woman said.

"She's standing here," one of the beasts answered. "That makes her with you."

His voice, heavy and thick, sent a shiver through Lindsay. Her heart hammered inside her chest and for the briefest of moments she had the impression it would suddenly leap out Alien-style and dance a one-two beat down the block.

"Listen," she said, "I'm not with anyone, okay? I just want to go home, and--"

"You're here now," another of the attackers cut her off. The tallest of the lot, perhaps six-eight, he made her best friend Myra's boyfriend look tiny. He took a few steps closer to her and she was able to get a better look at him. He, like the other two, wore a long, leather cloak. Though it was dim in the enclosed space of the alley, she noticed he had long, almost fang-like teeth, a narrow face, twisted nose, and no eyebrows. His eyes were close together which gave a cross-eyed appearance and he stunk to high heaven.

The smell wasn't like the run-of-the-mill stink of garbage fermenting in the sun on a hot summer's day, either. Lindsay remembered seeing a dog get hit by a car. It lay in the street, its stomach torn open and its innards spread out on the ground. Heavy, thick, and cloying, the noxious smell of death and instant decay stayed with her for the longest time. This monster had the same odor. Death had decided to take its holiday on Earth.

"Get her," one of the devil-men said. "She can't be allowed to leave."

"She can't be allowed to live," said the one closest to her. He moved faster in her direction, followed by one of his comrades.

Jonephra (Jo) is having a rough day, too, based on the creatures that are following her and trying to kill her. The Marauders followed her to Earth hoping to find a stone she has hidden from them. Jo is from a planet called Carinna, located in the Telfarr galaxy. Her planet is world-locked, and travel is rare. But, Jo is on a quest. She needs to find a choosok to save her planet. She is also looking for something more personal.  Jo and Lindsay manage to get away from the attackers, but their safety is short lived.

Jo stood, took her bag into the bathroom, and came out again, taking her usual seat on the bed. "The guys you saw attacking me were mercenaries. They go by a bunch of different names depending on which galaxy you're in. The name everyone is most used to is Marauders. They're scum. The guys in power hire them to do the jobs they can't or won't do."

Lindsay is understandably freaked out, confused and skeptical.

Lindsay's eyes immediately went to the floor. She'd been in locker rooms and seen naked women her whole life, but now she felt an acute sense of embarrassment. Jo ignored her, and Lindsay's gaze traveled up from the floor, registered her slender but muscular thighs, the vaguely yellowish tint to her skin, her tanned and toned midriff, the rippling abs ... and the three navels.

Jo had three navels. Her mouth suddenly dropped open and she recalled the other girl's words. I don't have a last name. None of our people do. Lindsay didn't realize the woman across from her came from another planet. "You've got three bellybuttons," she said in wonder. They were innies, triangular in shape, very clean, and in a horizontal row.

"You're, you're..."

"I'm not from around these parts," Jo confirmed. "Yeah, aliens exist. Hell of a
revelation, isn't it?"


It is a hell of a revelation for Lindsay, who thinks she is being punked. She has never been away from home, and the information Jo tells her seems hard to believe. Lindsay keeps waiting for the punchline, and even though she seems to trust Jo pretty quickly, Lindsay is still skeptical. That is until the “man-things” smash through the door of Jo’s hotel room. “This was no dream.”

Lindsay didn't have the time to mentally gear herself up as Jo grabbed her around the waist and yanked her into the portal. She couldn't see a thing, it was pitch-black inside wherever they were, and then she heard Jo whisper, "That was close."

Lindsay had gotten totally freaked out by the two man-things smashing through the doorway. Jo hadn't been lying at all. Now she felt like she was standing on a precipice that dropped off into infinity and wondered why she'd gone to the party in the first place.

Too late to admit she'd made a mistake. Still, for the moment she was safe and she had Jo to thank for it. Jo fought hard, looked pretty good doing it, and in the back of her mind, Lindsay thought it would be cool to the ultra to say she'd gone on an adventure. It was better than getting groped by someone she didn't like, and it beat doing homework.

As for the portal, she figured they'd soon take just one step and enter another world. Just like stepping through a doorway. She figured wrong.

Once Lindsay accepts the new alternate reality, she jumps in feet first trusting Jo with her their lives. Jo is used to traveling and being on her own, so trusting another person is new to her, too.

In this book, Frankel creates alternate worlds and extraterrestrials that are intense and varied. The science-fiction elements of the story are well done and creative. As Jo tells her new companion, “The universe is a big place; there are countless species not to mention dimensions, and the possibilities of people looking like you are pretty much endless. Your world is just one of many."

Through dialogue and descriptive prose, Frankel shows readers worlds that they could never encounter on their own. And, of course, as with most young adult books, there are some underlying important lessons. Jo and Lindsay are both treated as outcasts because of their sexuality. Jo’s home planet is stark and dreary and in danger of being destroyed and a lot like Earth in some aspects.

Lindsay admired the high glass buildings, houses--squat, one-level jobs--and other structures which she didn't have a clue about. She wrinkled her nose at the smell of the air and a little voice in her head told her to look at the sky. There wasn't one, exactly. In the gloom, her eyes made out girders shooting straight up and then bending into an arc. The whole area looked like someone had covered it with Saran Wrap, yet through the covering or whatever it was, her eyes made out a sun more or less directly overhead. "Uh, Jo, correct me if I'm wrong, but is there a dome over this city?"

Jo had been staring straight ahead, but turned at the question and nodded. "Yeah,
we're closed in. All the cities on this planet are enclosed. The environment is ruined and the air outside is toxic."

In the dim light, her face looked haunted. "Most of the power we have now is used to filter the air and power up the essential utilities. Without it, the poisonous air from outside would leak in and phttt." She made a sound indicating finality occurring in a split second.

      Jo has been traveling around the universe looking for a choosok, which is a mandatory power source needed to keep the people on her planet alive and the dome intact. But the power source is not the only thing Jo needs. She needs acceptance, friendship and love. In this, Jo and Lindsay have a lot in common.

      This is the first book in a trilogy, and the ending primes the reader for more adventures.  The focus of this first book is the adventure, but the budding romance of Jo and Lindsay is promising. Frankel has established a strong bond between the two protagonists, and this reader is looking forward to reading the rest of their adventures. While Frankel twists reality in this science-fiction adventure, his writing conveys a multi-dimensional realism and vulnerability.



Thank you J.S. Frankel for providing a review copy of this title in exchange for my honest opinion.




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